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Secondary sourcePainting1942 (depicting 1660)

Arrival of Radisson in an Indian camp 1660

Charles William Jefferys · 1942 (depicting 1660)

A 20th-century pen-and-ink drawing imagining Radisson's arrival at an Indigenous camp during his travels.

This later illustration imagines Radisson's arrival at an Indigenous camp, shaping how his travels were remembered.

Black and white pen-and-ink drawing of a snowy winter scene. On the left, tipis and figures, including a man in a fur-trimmed robe and several wolves. On the right, a bearded European man in a hat and long coat raises an arm toward a group of people; a dog stands near him. Snow-laden evergreen trees frame the scene.
Charles William Jefferys, Arrival of Radisson in an Indian camp 1660, published 1942.

About this source

What it is

This is a black-and-white pen-and-ink drawing by Canadian illustrator Charles William Jefferys, made for a picture history of Canada published in 1942. It shows a winter scene: on one side tipis, people and wolves; on the other, a bearded European man in a fur-trimmed coat raising his arm toward the group.

Why it matters

The drawing was not made at the time of the events it shows. It is a much later reconstruction, created to teach Canadian history, and reveals how 20th-century Canadians pictured Radisson's journeys and his meetings with Indigenous peoples in the west.

Look closer

  • What details suggest this was drawn long after the events happened?
  • How are the European figure and the Indigenous people each shown — what does their pose or placement suggest?
  • Why might an illustrator in 1942 want to create this kind of image for a history textbook?

This painting is part of the curated material that grounds the AI version of Pierre-Esprit Radisson on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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