Primary sourcePainting1797
Deborah Sampson Engraving
1797
An engraved portrait of Deborah Sampson in women's dress, used as the frontispiece to The Female Review in 1797.
This frontispiece portrait of Sampson shows how she was publicly presented during her own lifetime.

About this source
What it is
This is a black-and-white engraving titled Deborah Sampson, published by H. Mann in 1797. It shows an oval portrait of a young woman within a decorative frame topped with flags, a wreath, and an eagle.
Why it matters
The print was made to accompany Herman Mann's biography of Sampson and shows how she was presented to the public during her own lifetime, dressed conventionally as a woman rather than in the soldier's uniform she wore during her service.
Look closer
- Why do you think the publisher chose to show Sampson in women's dress rather than as a soldier?
- What do the flags, wreath, and eagle around the portrait suggest about how she was meant to be seen?
- How might this image shape a reader's expectations before they even open the book?
This painting is part of the curated material that grounds the AI version of Deborah Sampson on Humy.ai — when students ask about related events, the AI can quote it and cite it.
More Deborah Sampson sources
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BookPrimary source
The Female Review: Life of Deborah Sampson
Herman Mann · 1797
PaintingPrimary source
Portrait of Deborah Sampson
Joseph Stone · 1797
SpeechPrimary source
An Address, Delivered with Applause, at the Federal-Street Theatre, Boston
Deborah Sampson Gannett · 1802
BookSecondary source
The Female Review (Vinton edition)
Herman Mann; edited by John Adams Vinton · 1866
PhotographSecondary source
Monument to Deborah Sampson Gannett, Rock Ridge Cemetery
Leon H. Abdalian
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