Skip to main content

Primary sourcePainting1797

Deborah Sampson Engraving

1797

An engraved portrait of Deborah Sampson in women's dress, used as the frontispiece to The Female Review in 1797.

This frontispiece portrait of Sampson shows how she was publicly presented during her own lifetime.

Black-and-white engraving titled Deborah Sampson, published by H. Mann, 1797. An oval portrait of a young woman with long curled hair and a high-collared dress sits within a decorative frame topped with flags, a wreath, and an eagle at the base.
Deborah Sampson, engraving, published by H. Mann, 1797.

About this source

What it is

This is a black-and-white engraving titled Deborah Sampson, published by H. Mann in 1797. It shows an oval portrait of a young woman within a decorative frame topped with flags, a wreath, and an eagle.

Why it matters

The print was made to accompany Herman Mann's biography of Sampson and shows how she was presented to the public during her own lifetime, dressed conventionally as a woman rather than in the soldier's uniform she wore during her service.

Look closer

  • Why do you think the publisher chose to show Sampson in women's dress rather than as a soldier?
  • What do the flags, wreath, and eagle around the portrait suggest about how she was meant to be seen?
  • How might this image shape a reader's expectations before they even open the book?

This painting is part of the curated material that grounds the AI version of Deborah Sampson on Humy.ai — when students ask about related events, the AI can quote it and cite it.

Ready when you are

Start chatting with Deborah Sampson now.

20 messages free · No credit card · Available in 50+ languages.