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Portrait of William Lloyd Garrison

Nathaniel Jocelyn · 1833

An 1833 oil portrait of William Lloyd Garrison by abolitionist artist Nathaniel Jocelyn, who painted several antislavery figures.

This life portrait of Garrison, painted the year the American Anti-Slavery Society was founded, shows him as his contemporaries saw him.

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Oil painting portrait of a middle-aged man with thinning dark hair, wire-rimmed spectacles, and a pink-tinged complexion. He wears a black coat, white collar, and black cravat, against a dark brown background.
Nathaniel Jocelyn, Portrait of William Lloyd Garrison, 1833. National Portrait Gallery, Smithsonian Institution.

About this source

What it is

This oil portrait of William Lloyd Garrison was painted from life in 1833 by Nathaniel Jocelyn, an artist and fellow abolitionist. It is held by the National Portrait Gallery, Smithsonian Institution.

Why it matters

Jocelyn painted several notable abolitionists, including later a portrait of Joseph Cinqué, leader of the Amistad revolt. Garrison himself called this portrait a

This painting is part of the curated material that grounds the AI version of William Lloyd Garrison on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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Yellowed title page of the 1845 Narrative of the Life of Frederick Douglass, an American Slave. Text reads 'Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself', 'Boston: Published at the Anti-Slavery Office, No. 25 Cornhill, 1845'.Book

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Narrative of the Life of Frederick Douglass, an American Slave

Frederick Douglass · 1845

Title page of 'Thoughts on African Colonization' (Boston, 1832). Large heading reads 'Thoughts on African Colonization: or an impartial exhibition of the doctrines, principles and purposes of the American Colonization Society', with text 'together with the resolutions, addresses and remonstrances of the free people of color'. Epigraphs from the Bible appear below, followed by 'By Wm. Lloyd Garrison'. Imprint: 'Boston: Printed and published by Garrison and Knapp, No. 11, Merchants' Hall, 1832'.Book

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Thoughts on African Colonization

William Lloyd Garrison · 1832

Oil portrait of a balding older man with wire-rimmed spectacles, wearing a black coat, white shirt, and black neckcloth, against a dark brown background. He faces forward with a neutral expression.Painting

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William Lloyd Garrison

Nathaniel Jocelyn · 1833

Masthead of The Liberator newspaper, an engraved illustration with the title THE LIBERATOR in large letters across the bottom. Scenes include an auction of enslaved people with a sign reading slaves, horses, sheep, and other goods, a central robed figure with arms raised breaking chains, enslaved people working in fields, and a gate at right. Below the title is the motto Our Country is the World, our Countrymen are all Mankind.Newspaper article

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The Liberator, 15 December 1854

Hammatt Billings · 15 December 1854

Front page of The Liberator, Boston, Friday, January 3, 1862, Vol. XXXII, No. 1, Whole No. 1619. A woodcut vignette of figures, including a standing woman, sits above the masthead. Dense columns of small printed text fill the page.Newspaper article

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The Liberator

William Lloyd Garrison · 1831-1865

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