Secondary sourcePainting
Saint Francis of Assisi head and shoulders, etching by J. Callot
J. Callot
An oval etching of a bearded, hooded Francis with radiating rays, with a Latin inscription naming it a true likeness. It is signed by J. Callot.
This etching shows Francis head and shoulders with a Latin claim to be a true likeness, showing how his image was circulated in print.

About this source
What it is
This is an oval etching of Saint Francis of Assisi, head and shoulders. The print shows a bearded man in a hood with rays behind his head, holding a pen and a book. Below the image is the Latin inscription Vera SS. Francisci Effigies, meaning a true likeness of the saints Francis, and the signature I. Callot fec., which the catalogue reads as made by J. Callot. The print is held by the Wellcome Collection in the United Kingdom.
Why it matters
Francis died in 1226, so this etching is a later portrait, not a likeness drawn from life. Its inscription claims it is a true likeness, which shows how printmakers wanted buyers to trust their images of holy figures. Prints like this spread a saint's appearance across Europe, helping to shape how people recognised him.
Look closer
- Why might the artist have included a pen and a book, and what do they suggest about Francis?
- Who would have bought a print like this, and what does its Latin text reveal about its audience?
- How can a portrait claim to be a true likeness when the subject lived centuries earlier?
This painting is part of the curated material that grounds the AI version of Saint Francis on Humy.ai — when students ask about related events, the AI can quote it and cite it.
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Saint Francis of Assisi and Scenes of His Life
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Basilica of San Francesco d'Assisi
begun 1228
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