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Primary sourcePainting1500

Self-Portrait with Fur-Trimmed Robe

Albrecht Dürer · 1500

A panel painting in which Dürer portrays himself frontally in a pose echoing images of Christ, painted around his 29th birthday.

Dürer painted this self-portrait of himself, making it one of the boldest personal statements of his status as an artist.

Oil painting of a man with long, curly reddish-brown hair and a beard, wearing a rust-orange robe trimmed with brown fur. He faces the viewer with a steady gaze, his right hand raised near his chest against a dark background. Gold inscriptions with a monogram and date appear at the upper left and right.
Albrecht Dürer, Self-Portrait with Fur-Trimmed Robe, 1500. Bavarian State Painting Collections, Munich.

About this source

What it is

This is an oil painting on panel made by Albrecht Dürer, completed early in 1500. It is the last of his three painted self-portraits and is now held by the Bavarian State Painting Collections in Munich.

Why it matters

Dürer shows himself facing the viewer directly, his hand raised as if blessing, in a pose that strongly recalls medieval depictions of Christ. At the time, a frontal pose in a secular portrait was highly unusual and could be seen as bold or even blasphemous. The painting reflects Dürer's growing sense of himself as an artist of unique, almost divine, creative gifts, and marks the turn from youth to maturity according to ideas of the time.

Look closer

  • Why might Dürer have chosen a pose normally reserved for images of Christ?
  • What do the gold inscriptions and monogram in the background tell you about how Dürer wanted to be remembered?
  • How does this image of calm dignity compare with how artists had portrayed themselves before?

This painting is part of the curated material that grounds the AI version of Albrecht Dürer on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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