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Primary sourcePainting

Susan B Anthony Lithograph

J. E. Baker

A commercial lithograph portrait of Anthony that circulated publicly during her lifetime.

This commercial print shows how Anthony's image was publicly sold and circulated during her lifetime.

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Sepia-toned lithograph portrait in profile of an older woman with glasses, hair pulled back in a bun, wearing a ruffled high-necked dress with a lace collar and brooch. A signature appears at the bottom.
Lithograph of Susan B. Anthony, J. E. Baker, Armstrong & Co., Boston.

About this source

What it is

This is a lithograph portrait of Susan B. Anthony made by artist J. E. Baker for Armstrong & Co. of Boston. It shows her in profile as an older woman.

Why it matters

Lithographs like this were mass-produced and sold commercially, meaning Anthony's image reached ordinary households as her fame grew. This tells us something about how reformers became recognizable public figures in the nineteenth century.

Look closer

  • Why would a commercial company want to produce and sell an image of Anthony?
  • What details in this portrait suggest she is shown as a respectable, dignified figure?
  • How might a print like this have shaped public opinion of her?

This painting is part of the curated material that grounds the AI version of Susan B. Anthony on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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Susan B. Anthony's Petition for Remission of Fine

Susan B. Anthony · 1874

Scan of a printed and handwritten petition titled 'A Petition for Universal Suffrage,' addressed to the Senate and House of Representatives. Below the text is a two-column list of handwritten signatures under 'Names' and 'Residence,' including Elizabeth Cady Stanton and Susan B. Anthony, with places such as New York, Rochester, and Brooklyn.Document

Primary source

Petition for Universal Suffrage, circa 1865

Susan B. Anthony and others · circa 1865

Scan of the front page of the first issue of The Revolution, dated New York, Wednesday, January 8, 1868. Masthead reads 'The Revolution' with the motto 'Principle, not policy; justice, not favors.' Three columns of small print include editorials on Kansas woman suffrage and a statement of editors Elizabeth Cady Stanton and Parker Pillsbury and Susan B. Anthony. A round Library of Congress stamp appears at upper right.Newspaper article

Primary source

The Revolution

Elizabeth Cady Stanton · 1868

Dark, nearly black book cover with faint embossed decorative ornament in the center and a white library barcode label on the upper left reading 3 1761 04261 4271 printed vertically.Book

Secondary source

History of Woman Suffrage

Elizabeth Cady Stanton · 1881-1922

Black-and-white studio portrait of two elderly women. A seated woman with curly white hair, wearing a light lace-edged shawl and patterned dress, looks down at papers. A standing woman with white hair in a bun and wire-rimmed glasses, wearing a dark dress with ruffled bodice, holds the papers and looks down at them. Plain grey backdrop.Photograph

Primary source

Elizabeth Cady Stanton and Susan B. Anthony

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