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Secondary sourcePainting

Portrait of Sor Juana, Convento de Santa Paula

Juan de Miranda (attributed)

A painting attributed to Juan de Miranda showing Sor Juana in her habit, photographed in a Seville convent.

This portrait, attributed to Juan de Miranda, is one of several images used to remember Sor Juana's appearance and religious life.

Oil painting of a woman in a black religious habit with a white cape and a dark veil, holding a small red box. An oval medallion on her chest shows a veiled woman and a child. A handwritten inscription panel on the left.
Portrait of Sor Juana Inés de la Cruz, attributed to Juan de Miranda. Convento de Santa Paula, Seville. Photo 2016.

About this source

What it is

This oil painting, attributed to the painter Juan de Miranda, shows a woman in a black religious habit, white cape and dark veil, holding a small box and wearing a medallion. It is kept at the Convento de Santa Paula in Seville, and this photograph of it was taken in 2016.

Why it matters

The painting is part of a tradition of portraits made of Sor Juana after her death, used to honor her memory as a nun, writer and scholar. Such images shaped how later generations pictured her, even though they were not made during her own documented sittings.

Look closer

  • What details in the painting point to her religious life?
  • Why might artists have included a medallion or handwritten inscription alongside her image?
  • How might an image made after someone's death differ from one made in their lifetime?

This painting is part of the curated material that grounds the AI version of Juana Inés de la Cruz on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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