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Secondary sourcePainting1772

Portrait of Sor Juana Inés de la Cruz

Andrés de Islas · 1772

An 18th-century oil painting showing Sor Juana as a scholar-nun, seated with books and writing tools.

This later portrait shows how Sor Juana was remembered and idealized as a scholar-nun after her death.

Oil painting of a nun in a black veil and white habit seated at a desk with a quill pen, an open book, and inkwell, before a red curtain and bookshelves. An oval medallion on her chest shows a religious scene. Lettered text panel below.
Andrés de Islas, Retrato de Sor Juana Inés de la Cruz, 1772.

About this source

What it is

This is an oil painting made in 1772 by the painter Andrés de Islas. It shows a nun in a black veil and white habit seated at a desk with a quill pen, inkwell and open book, with bookshelves and a red curtain behind her, and a small oval medallion with a religious scene on her chest.

Why it matters

The painting was made long after Sor Juana's death and reflects how later generations in colonial New Spain wanted to remember her — not simply as a nun, but as a serious scholar and writer. Images like this helped shape the lasting idea of Sor Juana as a learned woman of the Church.

Look closer

  • What objects surround her, and what do they suggest about how the painter wanted her to be seen?
  • Why might an artist working decades after her death choose to paint her this way?
  • What does the image leave out about her life and struggles?

This painting is part of the curated material that grounds the AI version of Juana Inés de la Cruz on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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