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Primary sourcePainting1720 (after Kneller's portrait)

Sir Isaac Newton, stipple engraving by T. Phillibrown after Kneller, 1720

T. Phillibrown, after Sir Godfrey Kneller · 1720 (after Kneller's portrait)

An engraving of Newton made around 1720, copying Godfrey Kneller's portrait, published with his death date noted.

An engraving copying Kneller's portrait of Newton, later captioned with his death year.

Engraved portrait of Sir Isaac Newton in a long curled wig, white cravat, and dark robe with buttoned cuffs, resting one hand on a table. Caption below reads 'SIR ISAAC NEWTON' and 'OB. 1727'.
T. Phillibrown, Sir Isaac Newton (after Sir Godfrey Kneller, 1702), stipple engraving, 1720. Wellcome Collection.

About this source

What it is

This stipple engraving by T. Phillibrown, dated 1720, reproduces an earlier portrait of Isaac Newton by Sir Godfrey Kneller. It shows Newton in a long curled wig and dark robe, resting a hand on a table. It is held by the Wellcome Collection.

Why it matters

The print carries a caption noting Newton's death year, suggesting this version was printed or captioned after he died, even though it copies a portrait from his lifetime. This shows how images of famous scientists kept being reproduced and updated for new audiences after their deaths.

Look closer

  • Why might a print add the words 'OB. 1727' (meaning he died in that year) if the portrait itself is older?
  • What does Newton's pose, resting a hand on a table, suggest about the image the engraver wanted to create?
  • How can prints like this one both preserve and reshape the memory of a historical figure?

This painting is part of the curated material that grounds the AI version of Isaac Newton on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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