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Secondary sourceSculpture2010

Sor Juana statue, calle San Jerónimo, Mexico City

2010

A bronze statue of Sor Juana Inés de la Cruz on calle San Jerónimo in Mexico City, photographed in 2010. It is a later monument that honors the writer rather than a work she made.

A later monument honoring Sor Juana in Mexico City, showing how she is remembered rather than documenting her own life.

Dark bronze seated statue of a robed figure in a chair, viewed from below against a cloudy blue sky. Behind it stands a white church bell tower with arched openings and a cupola, beside a pale church facade.
Estatua de Sor Juana, calle San Jerónimo, photographed by virginiourbina, 19 July 2010. Wikimedia Commons.

About this source

What it is

This is a photograph of a bronze statue of Sor Juana Inés de la Cruz, shown seated in a chair in a robed form. The photo was taken on 19 July 2010 and uploaded to Wikimedia Commons by the user virginiourbina. The statue stands near the San Jerónimo convent in Mexico City, and the photograph shows a white church bell tower and a pale church facade behind it.

Why it matters

Sor Juana lived in the 1600s and was a nun, poet, playwright and thinker. A statue made centuries after her death shows how later Mexicans chose to remember her. Monuments like this one tell us what a society values in a historical figure, which can differ from what that figure's own generation thought of her. The statue is a secondary source: it reflects later memory rather than her life.

Look closer

  • What pose and clothing did the sculptor give Sor Juana, and what might those choices say about how she is honored?
  • Why might a city place a statue of a historical figure near the place connected to her life?
  • What does a photograph from one viewpoint, looking up from below, leave out about the statue and its surroundings?

This sculpture is part of the curated material that grounds the AI version of Juana Inés de la Cruz on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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