Secondary sourcePainting1853
Steel engraved portrait of Calvin by Thomas Woolnoth, 1853
Thomas A. Woolnoth · 1853
An 1853 steel engraving of John Calvin, made by Thomas Woolnoth from an earlier print, showing how the reformer was pictured in the nineteenth century.
This later engraving pictures Calvin as he was imagined in the nineteenth century, based on a seventeenth-century print, so it shows his reputation rather than his actual appearance.

About this source
What it is
This is an oval steel engraving of a bearded man in a dark cap and fur-trimmed dark robe with a white collar, facing right. It was made in 1853 by Thomas A. Woolnoth and is copied from a print engraved by C. Dankerts. The printed captions read 'CALVIN', name the Dankerts print, and give a publisher line referring to the Society for the Diffusion of Useful Knowledge. It is held by the University of Edinburgh.
Why it matters
The engraving is a later image of Calvin, not a likeness made during his lifetime. It copies a print that dates from the 17th century, so it shows how Calvin had been imagined over two centuries after his death in 1564. Images like this were sold and used to illustrate books and education materials, which helped shape how readers pictured the reformers of Geneva.
Look closer
- What details in the dress and the oval frame tell you about the period in which the image was made?
- Why might a publisher have chosen to copy an older print instead of drawing Calvin from life?
- How can you tell from the captions where this picture came from, and what does that suggest about how far it can be trusted as a record of his face?
This painting is part of the curated material that grounds the AI version of John Calvin on Humy.ai — when students ask about related events, the AI can quote it and cite it.
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