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Primary sourcePaintingearly 1630s

The Finding of Moses

Orazio Gentileschi · early 1630s

A painting by Orazio Gentileschi commissioned by Charles I for Henrietta Maria to celebrate the birth of their son, the future Charles II.

Charles I commissioned this painting for Henrietta Maria to celebrate the birth of their son, the future Charles II.

Painting of several women in renaissance-style dress gathered outdoors under trees. A woman in a gold gown points toward a basket holding an infant, while a kneeling woman in white reaches to lift it. Other women in red, blue, green and purple gesture around them under a cloudy sky with distant hills.
Orazio Gentileschi, The Finding of Moses, early 1630s. National Gallery, London.

About this source

What it is

This painting by Orazio Gentileschi, made in the early 1630s, shows the biblical story of the infant Moses being found in the river. Charles I commissioned it for his wife Henrietta Maria, and it was painted for the Queen's House in Greenwich. It is now in the National Gallery, London.

Why it matters

The painting celebrated the birth of Charles I's son and heir, the future Charles II, showing how the royal couple used art to mark important family events. It also reflects Charles's practice of bringing foreign artists like Gentileschi to his court. After Charles's execution, the painting was returned to Henrietta Maria in France.

Look closer

  • Why might a biblical story about a rescued infant have been chosen to celebrate the birth of a royal heir?
  • What does the painting's later confusion with another artist's work tell you about how reputations and attributions can change over time?
  • What role did foreign artists play at Charles I's court, based on this commission?

This painting is part of the curated material that grounds the AI version of Charles I on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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