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Secondary sourcePainting

Thomas Hobbes Stipple Engraving after William Dobson

J. Posselwhite, after William Dobson

A later stipple engraving of Hobbes copied from a portrait painting by William Dobson held by the Royal Society.

A later print copy of a painted portrait of Hobbes once owned by the Royal Society.

Sepia-toned printed page with a dark oval-framed stipple engraving of a man with long grey hair, a moustache, and a white collar over a dark coat. Below are the captions 'HOBBES', 'From a Picture by Dobson in the possession of The Royal Society', and publisher credits.
Thomas Hobbes, stipple engraving by J. Posselwhite after a painting by William Dobson, Royal Society collection.

About this source

What it is

This is a stipple engraving portrait of Thomas Hobbes made by J. Posselwhite, copying an earlier painted portrait by William Dobson that belonged to the Royal Society.

Why it matters

The print preserves the appearance of Dobson's original painting for a wider audience through printmaking. It shows how images of thinkers like Hobbes were copied and recirculated long after their lifetimes, shaping how later generations pictured him.

  • How might copying a painting into a print change small details of the original?
  • Why would the Royal Society have owned a portrait of Hobbes?
  • What can we and can't we learn about Hobbes's real appearance from a copy like this?

This painting is part of the curated material that grounds the AI version of Thomas Hobbes on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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