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Secondary sourcePainting1795

Barons Presenting the Charter of Liberties at Bury St Edmunds

William Ward · 1795

An 1795 engraving by William Ward of the 1215 scene in which barons press Cardinal Langton and the archbishops for the charter.

It shows the barons confronting church leaders over the charter, the political pressure behind King John's 1215 agreement.

Black-and-white engraving titled Charter of Liberties. Armored barons with raised arms and spears crowd around a raised altar where a robed churchman holds up a large scroll. A helmet and gauntlet lie on the floor in front.
William Ward, Barons presenting the Charter of Liberties at Bury St Edmunds, engraving, 1795.

About this source

What it is

This is a black-and-white engraving by William Ward, made in 1795. Its title is Charter of Liberties. The collection record describes a scene in the cathedral at Bury St Edmunds. Behind the altar stand Cardinal Langton and the archbishops, who produce the charter for the barons. The barons stand on either side of the altar in full armour. One of them advances toward the table, and his helmet and gauntlets lie on the floor in front.

Why it matters

The print was made more than 500 years after the scene it shows. It reflects how eighteenth-century artists pictured the making of Magna Carta. It names Cardinal Langton as a key church leader in the events, and it shows the barons as an armed group pressing for their rights. It gives a dramatic view of the political pressure around the charter.

Look closer

  • Who seems to hold power in this scene, and how can you tell from the positions of the people?
  • Why might an artist in 1795 choose to show armoured barons in a church?
  • What might this engraving leave out about the events and the people who were not shown?

This painting is part of the curated material that grounds the AI version of Magna Carta on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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