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Secondary sourcePainting

L'Ynca du Pérou aux pieds de Pizarre

A.C.F. Villerey after N. Vallain

An 18th-century French etching imagining Atahualpa kneeling before Pizarro and begging for mercy.

Imagines Atahualpa pleading for mercy before Pizarro after his capture.

Black-and-white etching of an interior with a tall barred window. A kneeling figure with raised arm faces a standing man in a military coat who points a pistol. Soldiers with muskets stand at right, and a figure in a plumed headdress stands at left.
L'Ynca du Pérou aux pieds de Pizarre, etching by A.C.F. Villerey after N. Vallain. Wellcome Collection, London.

About this source

What it is

A black-and-white etching made by A.C.F. Villerey after a work by Mme. Vallain, held by the Wellcome Collection. It shows a figure identified as possibly Atahualpa kneeling before a standing man in military dress who points a pistol.

Why it matters

This image is a later, imagined French depiction of the dramatic moment of Atahualpa's capture by Francisco Pizarro's forces. The curators note the identification as Atahualpa is uncertain, showing how later European artists created dramatic scenes around the conquest without direct evidence of what actually happened.

Look closer

  • Why might the curators be unsure whether this figure is really meant to be Atahualpa?
  • What does the pointed pistol suggest about how the artist wanted viewers to feel?
  • What is missing from this scene that might have been part of the real historical event?

This painting is part of the curated material that grounds the AI version of Atahualpa and Francisco Pizarro on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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