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Secondary sourcePainting

Portrait of Nicolaus Copernicus holding an astronomical device

C. B.

A later black-and-white engraving of Copernicus holding an armillary sphere. It shows a later artist's view of him rather than a likeness made in his lifetime.

Shows a later artist's image of Copernicus holding an astronomical device, useful for discussing how his astronomy was pictured.

Black and white engraving of a man with wavy shoulder-length hair in a fur-trimmed garment, holding an armillary sphere-like astronomical device in his right hand, resting his left hand on a ledge. Caption below reads Nicolas Copernic, with birth and death dates and a publisher line.
C. B., Portrait of Nicolaus Copernicus, half length, holding an astronomical device. Wellcome Collection, London.

About this source

What it is

This black-and-white engraving shows a man with wavy shoulder-length hair in a fur-trimmed garment. He holds an armillary sphere-like astronomical device in his right hand and rests his left hand on a ledge. The caption reads 'Nicolas Copernic', with birth and death dates and a publisher line. The creator is recorded as C. B. The Wellcome Collection in London holds the print, and the facts give no date.

Why it matters

Copernicus argued that the Earth and planets move around the Sun, a major change in how people understood the universe. Portraits that show him with an instrument connect his image to that work. Because this print was made long after his lifetime, it reflects how later makers chose to present him as a scientist.

Look closer

  • What does the instrument suggest about the kind of work this man did?
  • Who would have bought or viewed a print like this, and why?
  • How could you tell whether this image shows the real appearance of Copernicus?

This painting is part of the curated material that grounds the AI version of Nicolaus Copernicus on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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