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Primary sourcePaintingc. 1792

Portrait of Thomas Paine by Laurent Dabos

Laurent Dabos · c. 1792

An oil portrait of Thomas Paine painted around 1792 during his lifetime, made for use as an engraving.

This lifetime portrait of Paine was made for engraving, showing how his image circulated publicly.

Oval-framed oil portrait of a man with grey hair, wearing a black coat and white cravat, seated in front of a green upholstered chair with carved wooden trim. Dark brown background.
Laurent Dabos, Portrait of Thomas Paine, c. 1792.

About this source

What it is

This is an oval oil portrait of Thomas Paine painted by Laurent Dabos around 1792. It was made for the purpose of being turned into an engraving, a common way of spreading a public figure's likeness at the time.

Why it matters

Paine was one of the most famous and controversial writers of his era, known for pamphlets that shaped revolutionary politics in America and France. A portrait made for engraving shows how his image was being circulated to the public while he was alive and at the height of his influence.

Look closer

  • What does the pose and clothing suggest about how Paine wanted to be seen, or how the artist wanted him seen?
  • Why might a portrait be made specifically to be copied as an engraving rather than just as a painting?
  • What is missing from this image that might tell us more about Paine's ideas or actions?

This painting is part of the curated material that grounds the AI version of Thomas Paine on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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