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Secondary sourcePainting1650

Santo Tomás de Aquino

Bartolomé Esteban Murillo · 1650

A 1650 painting by Bartolomé Esteban Murillo showing Aquinas with a quill, a book and a star on his chest. It is a later depiction of the figure.

Shows Aquinas through the symbols of a writer and saint, a seventeenth-century portrait of his reputation.

Painting of a bearded man in a black cloak over a white habit, gazing upward with a glowing halo-like light behind his head. He holds a quill pen in one hand and rests the other on an open red-edged book on a stone pedestal. A golden star is on his chest.
Bartolomé Esteban Murillo, Santo Tomás de Aquino, 1650. Wikimedia Commons.

About this source

What it is

This is a painting by Bartolomé Esteban Murillo, dated 1650. It shows a bearded man in a black cloak over a white habit, gazing upward with a glowing, halo-like light behind his head. He holds a quill pen in one hand and rests the other on an open book with red edges, set on a stone pedestal. A golden star is on his chest.

Why it matters

Murillo was a major Spanish painter of the seventeenth century. His portrait presents Aquinas through the symbols of a writer and teacher: the pen, the book, and the light of inspiration. The star on the chest is a traditional sign associated with Aquinas in religious art. The painting reveals how Spanish artists of the Baroque period wanted viewers to see the great theologian.

Look closer

  • Which objects in the painting show that this man is a writer or teacher, and which show that he is holy?
  • Why might the painter show the figure looking upward rather than at the viewer?
  • This portrait was painted more than three centuries after Aquinas died. What might a later artist add or change in order to make him look a certain way?

This painting is part of the curated material that grounds the AI version of Saint Thomas Aquinas on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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