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Primary sourcePaintingc. January 1793

The End of Pain (Paine Hanged, 1793 Caricature)

T.O. (unidentified) · c. January 1793

An 1793 British satirical print showing Paine hanged in effigy, reflecting hostile public opinion during his trial for seditious writing.

This hostile caricature imagines Paine's execution, showing the extreme danger and hatred his writings provoked among opponents.

Hand-colored 1793 caricature print showing a man with curly hair and a green coat and yellow waistcoat hanging by a noose from a bracket. The bracket post reads 'Rights of This Man'. A devil-like figure peers from behind the post. A shield labeled 'Common Sense' and a lantern hang at right. Signed 'T.O. Fecit 1793'.
T.O. Fecit, The End of Pain, c. January 1793. Satirical print depicting Thomas Paine hanged.

About this source

What it is

This hand-colored etching, signed "T.O. Fecit" and dated around January 1793, shows a man's head and shoulders dangling by a noose from a lamp-bracket. The bracket post is inscribed "Rights of This Man." A devil-like head looks down from behind the post, and a shield marked "Common Sense" hangs nearby.

Why it matters

This caricature was created during Thomas Paine's trial in Britain for seditious writing, after the publication of his pamphlet Rights of Man. It shows the extreme hostility some British audiences felt toward Paine, imagining his execution as punishment for his political and revolutionary ideas, referencing both Rights of Man and his earlier pamphlet Common Sense.

Look closer

  • Why do you think the artist chose to show Paine hanged rather than simply criticized in words?
  • What does the devil-like figure suggest about how the artist wanted Paine to be seen?
  • What does this print reveal about the risks faced by writers who challenged government and monarchy at the time?

This painting is part of the curated material that grounds the AI version of Thomas Paine on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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