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Primary sourcePainting1806

Thomas Paine

John Wesley Jarvis · 1806

An 1806 oil portrait of an aged Thomas Paine, painted by John Wesley Jarvis in New York during Paine's final, largely shunned years.

This late portrait shows Paine in his final years in New York, after he had become isolated and unpopular.

Oil portrait of an older man with gray hair swept back, wearing a dark coat, black collar and white cravat, against a dark reddish-brown background. He has a slight closed-mouth smile and looks directly at the viewer.
John Wesley Jarvis, Thomas Paine, 1806.

About this source

What it is

This is an oil portrait of Thomas Paine, painted by John Wesley Jarvis in 1806. It shows Paine as an older man, painted in New York near the end of his life.

Why it matters

By 1806 Paine had returned to the United States but was widely ostracised for his religious writings and radical politics. This portrait captures him in those final, difficult years, offering a very different image from the celebrated hero of earlier portraits—reminding students that the same person can be remembered very differently at different points in their life.

Look closer

  • How does this portrait of Paine compare with earlier images made when he was more celebrated?
  • What might Jarvis have wanted to convey through Paine's expression and gaze?
  • Why might an artist still choose to paint someone who had become unpopular?

This painting is part of the curated material that grounds the AI version of Thomas Paine on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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