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Primary sourcePainting20 April 1793

Thomas Paine

William Sharp · 20 April 1793

An engraved print of Thomas Paine made in 1793, based on a lost portrait by George Romney, widely circulated during the controversy over his book Rights of Man.

This widely circulated print spread Paine's image to the public during the heated debate over his book Rights of Man.

Engraved portrait print of a man with wavy hair, a high white cravat, and a dark coat, seated near a draped document. Printed title below reads Thomas Paine; publication line reads London, W. Sharp, April 20, 1793.
William Sharp, after George Romney, Thomas Paine, 1793. Yale Center for British Art.

About this source

What it is

This is an engraving of Thomas Paine made by William Sharp in 1793, after a portrait painted by George Romney that no longer survives. It is held by the Yale Center for British Art.

Why it matters

This image became the most widely reproduced picture of Paine at a moment when his book Rights of Man was provoking fierce debate in Britain. It shows how prints could spread a public figure's image—and reputation—far beyond those who ever met him, connecting Sharp the engraver, Romney the original painter, and Paine himself.

Look closer

  • Why might an engraving based on a now-lost painting be an important historical record?
  • What does the draped document beside Paine suggest about how he wanted to be portrayed?
  • Why do you think this image was reproduced so widely during a political controversy?

This painting is part of the curated material that grounds the AI version of Thomas Paine on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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