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Primary sourcePainting20 April 1793

Thomas Paine Half-Length Portrait Engraved by William Sharp

William Sharp, after George Romney · 20 April 1793

An engraving of Thomas Paine made in 1793 from a painting by George Romney, published during Paine's lifetime.

This widely circulated engraving linked Paine's image directly to his famous work Rights of Man.

Engraved half-length portrait of a man with wavy hair, facing left, wearing a dark coat and white cravat. His right hand rests on a sheet with handwritten text reading 'Rights of Man'. Printed caption below reads 'Thomas Paine'.
William Sharp, after George Romney, Thomas Paine, 1793.

About this source

What it is

This is an engraving by William Sharp, published in London on 20 April 1793, based on a painting by George Romney. It shows Paine half-length, facing left, with his hand resting on a sheet labelled 'Rights of Man'.

Why it matters

Made while Paine was alive and widely known for his pamphlet Rights of Man, this engraving helped spread a recognizable image of him to the public. The collaboration of two established artists, Romney and Sharp, shows that Paine had become a figure important enough to be formally portrayed and mass-reproduced.

Look closer

  • Why might the engraver choose to include the words 'Rights of Man' in the image?
  • What does the formal pose suggest about how Paine wanted to be remembered?
  • How does an engraving differ from a painting in how widely it could be seen?

This painting is part of the curated material that grounds the AI version of Thomas Paine on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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