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Primary sourcePaintingc. 1834

Thomas Robert Malthus, Stipple Engraving

Félicie Fournier (after John Linnell) · c. 1834

A stipple engraving of Malthus made around the time of his death, based on a portrait by John Linnell.

A contemporary engraved likeness of Malthus made around the time of his death.

Black and white stipple engraving of a man with curly hair, wearing a dark coat with wide lapels over a white high-collared shirt, in a double-ruled border. Caption below reads 'Gravé par Me Fournier d'après J. Linnell.'
Stipple engraving by Félicie Fournier after John Linnell, Thomas Robert Malthus, c. 1834.

About this source

What it is

This is a stipple engraving made about 1834 by Félicie Fournier, copying a portrait of Thomas Robert Malthus originally painted by John Linnell. It shows Malthus with curly hair, wearing a dark coat with wide lapels over a white high-collared shirt.

Why it matters

Engravings like this were how most people in the 19th century came to know what a public figure looked like, since photography was not yet widespread. This print connects two artists, Linnell and Fournier, to the task of fixing Malthus's image for later generations.

Look closer

  • What does the clothing and pose suggest about how Malthus wanted to be seen?
  • Why might an engraver copy an existing painting rather than work from life?
  • What is left out of a formal portrait like this?

This painting is part of the curated material that grounds the AI version of Thomas Malthus on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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