Primary sourcePaintingc. 1834
Thomas Robert Malthus, Stipple Engraving
Félicie Fournier (after John Linnell) · c. 1834
A stipple engraving of Malthus made around the time of his death, based on a portrait by John Linnell.
A contemporary engraved likeness of Malthus made around the time of his death.

About this source
What it is
This is a stipple engraving made about 1834 by Félicie Fournier, copying a portrait of Thomas Robert Malthus originally painted by John Linnell. It shows Malthus with curly hair, wearing a dark coat with wide lapels over a white high-collared shirt.
Why it matters
Engravings like this were how most people in the 19th century came to know what a public figure looked like, since photography was not yet widespread. This print connects two artists, Linnell and Fournier, to the task of fixing Malthus's image for later generations.
Look closer
- What does the clothing and pose suggest about how Malthus wanted to be seen?
- Why might an engraver copy an existing painting rather than work from life?
- What is left out of a formal portrait like this?
This painting is part of the curated material that grounds the AI version of Thomas Malthus on Humy.ai — when students ask about related events, the AI can quote it and cite it.
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