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Secondary sourcePainting1889

Un rasgo del padre Bartolomé de las Casas

Sebastián Gelabert · 1889

An 1889 history painting showing Las Casas intervening between a kneeling Indigenous man and an armed Spanish conquistador.

This painting depicts Las Casas intervening to protect an Indigenous man from a conquistador, illustrating his reputation as a defender.

Oil painting of a scene in a tropical landscape: a bald, bearded friar in a dark cloak and white habit raises one hand toward a kneeling, nearly naked Indigenous man, while an armed conquistador in a red-plumed hat and ornate armor rests his hand on the kneeling man's head. Soldiers stand in the distance.
Sebastián Gelabert, Un rasgo del padre Bartolomé de las Casas, 1889. Oil on canvas, 199 x 150 cm.

About this source

What it is

This is an oil painting from 1889 by the Spanish artist Sebastián Gelabert. It shows a scene set in the Americas during the Spanish conquest, with the friar Bartolomé de las Casas raising his hand toward a kneeling Indigenous man, while an armed conquistador rests a hand on the man's head.

Why it matters

Painted in late-19th-century Spain, this work reflects how Las Casas was remembered as a heroic defender of Indigenous peoples. It also shows, through its imagery, the violent power the Spanish conquistadors held over Indigenous people, the very abuse Las Casas spent his life protesting.

Look closer

  • What is each figure doing, and what does their posture suggest about power in this scene?
  • Why might a 19th-century Spanish painter choose this subject, decades after Las Casas lived?
  • What does the painting leave out about the violence of colonization?

This painting is part of the curated material that grounds the AI version of Bartolomé de las Casas on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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