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Secondary sourcePainting1722

Portrait of John Locke, frontispiece to Works

George Vertue, after Sir Godfrey Kneller · 1722

An engraved oval portrait of John Locke used as the frontispiece to the 1722 edition of his Works, based on a painting by Kneller.

This frontispiece portrait of Locke accompanied a posthumous edition of his collected works and an account of his life.

Engraved oval portrait of a man with long wavy hair, wearing a loose dark gown over a white collared shirt, set in an ornate oval frame atop a pedestal bearing a coat of arms. Inscription below reads 'Effigies Iohannis Locke' with a Latin line beneath, plus artist credits 'G. Kneller Equ. pinxit 1697' and 'Geo. Vertue Sculp. 1722'.
George Vertue, after Sir Godfrey Kneller, portrait of John Locke, 1722. British Library, United Kingdom.

About this source

What it is

This engraved portrait of John Locke served as the frontispiece to a 1722 edition of his collected Works, which also included an account of his life written by Jean Le Clerc. The engraving, made by George Vertue, is based on a 1697 painting by Sir Godfrey Kneller. It is held by the British Library.

Why it matters

This image connects several people: Locke the philosopher, Kneller the painter who first captured his likeness, Vertue the engraver who reproduced it for print, and Le Clerc the biographer who wrote about Locke's life for this edition. Together they show how Locke's reputation was built and passed on after his death through both writing and image.

Look closer

  • Why might publishers include a portrait at the front of a book of someone's collected works?
  • What does the coat of arms and Latin inscription suggest about how Locke was presented to readers?
  • How many years passed between the original painting and this engraved version, and why might that matter?

This painting is part of the curated material that grounds the AI version of John Locke on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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