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Secondary sourcePaintingc. 1696-1715

Spanish Defeat at Tenochtitlan

Miguel González · c. 1696-1715

A mother-of-pearl inlay panel depicting Cortés's near-capture during the Spanish defeat at Tenochtitlan in June 1521.

Shows Cortés nearly captured and rescued by his soldiers during the Spanish defeat at Tenochtitlan.

Painting in a mother-of-pearl inlay style showing a battle scene: Spanish soldiers in armor and Indigenous warriors in canoes and on causeways fighting, with horsemen and a sailing ship. A written caption in a cartouche at the top describes the defeat. Tiles of mother-of-pearl create a shimmering surface.
Miguel González, Conquest of Mexico series, c. 1696-1715.

About this source

What it is

This painting, made by the New Spain artist Miguel González around 1696–1715, shows the battle during the siege of Tenochtitlan in June 1521, when Hernán Cortés was nearly captured after a heavy Spanish defeat. A Spanish caption describes the event and the soldiers taken for sacrifice.

Why it matters

This image, part of a larger series on the conquest, reveals how later colonial artists portrayed Cortés's most dangerous moment. It mixes European painting technique with inlaid mother-of-pearl, a style distinctive to New Spain, and reflects how the conquest's violence was remembered and dramatized.

Look closer

  • What does the written caption tell you that the image alone does not?
  • How does the artist use materials and composition to make the battle feel dramatic?
  • Whose perspective does this scene seem to represent — Spanish or indigenous?

This painting is part of the curated material that grounds the AI version of Hernán Cortés on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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