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Secondary sourcePaintingMing Dynasty, 16th century (1368-1644)

The Three Purities: Daode Tianzun, Ming dynasty painting

Ming Dynasty, 16th century (1368-1644)

A Ming dynasty hanging scroll showing Daode Tianzun, the deified form of Laozi among the Three Purities. It shows his later religious image, not his own time.

Shows Laozi in his later role as the god Daode Tianzun among the Three Purities, centuries after his lifetime.

A hanging scroll painting with a yellow silk top border and blue-green outer mount. A bearded, crowned figure in dark robes with gold dragon patterns sits on a tiered green and pink throne, surrounded by a halo, with attendant figures standing at the lower left and right and a small circular offering scene below. Clouds and deities fill the background.
The Three Purities: Daode Tianzun, Ming dynasty, 16th century. Artist unknown. Wikimedia Commons.

About this source

What it is

This is a hanging scroll painting from the Ming dynasty, dated to the 16th century, with a yellow silk top border and blue-green outer mount. It shows a bearded, crowned figure in dark robes with gold dragon patterns, seated on a tiered green and pink throne inside a halo. Attendant figures stand at the lower left and right, and a small circular offering scene appears below. Clouds and deities fill the background. The painter is unknown. The record describes it as a painting of Daode Tianzun, the deified form of Laozi.

Why it matters

The painting shows how Laozi was turned into a god among the Three Purities in later Chinese religion. Its maker is not known, so it reveals more about the religious tastes and craft of the Ming period than about the philosopher himself. Students can compare this image with the much earlier written accounts of Laozi to see how his image changed.

Look closer

  • What signs in the painting show that the seated figure has a high religious rank?
  • Who might have commissioned a scroll like this, and for what purpose?
  • What does the painting leave out about the historical Laozi?

This painting is part of the curated material that grounds the AI version of Laozi on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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