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Primary sourceSculpturec. 2254-2218 BCE

Victory Stele of Naram-Sin

c. 2254-2218 BCE

An earlier Akkadian royal victory stele, looted to Susa alongside Hammurabi's law stele, showing the tradition of Mesopotamian royal monuments.

Looted to Susa alongside Hammurabi's stele, it exemplifies the Mesopotamian royal-stele tradition Hammurabi's own monument belongs to.

Photograph of a tall, tapering pink sandstone stele carved in relief. At the top are two sun disks with radiating rays. A standing figure wearing a horned headdress holds a bow, and smaller figures climb a mountain, with cuneiform inscription in columns on the upper right. Lower registers show many small figures in procession and combat on a rough, weathered surface.
Victory Stele of Naram-Sin, c. 2254-2218 BCE. Louvre, Paris.

About this source

What it is

This is a carved stone monument showing King Naram-Sin of Akkad leading his army to victory over the Lullubi people. It dates to around 2254-2218 BC and was found at Susa, where it had been carried off by the Elamite king Shutruk-Nakhunte, who added his own inscription. French archaeologist Jacques de Morgan excavated it in 1898, and it is now in the Louvre.

Why it matters

The stele shows how Mesopotamian kings used art to present themselves as god-like and victorious, with the king towering over defeated enemies. It was taken from Mesopotamia along with Hammurabi's own law stele, and its style and symbolism are often compared to the imagery atop Hammurabi's famous monument, showing a long tradition of royal stelae.

Look closer

  • What details make Naram-Sin look larger or more powerful than everyone else?
  • Why would a later king add his own inscription instead of destroying the stele?
  • How does the stele try to justify the conquest shown on it?

This sculpture is part of the curated material that grounds the AI version of Hammurabi on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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