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Primary sourcePainting1781

Yorktown

Anonymous, Dutch, 18th century · 1781

A 1781 Dutch engraving related to the siege of Yorktown, the campaign where James Armistead's spying helped the American and French forces.

A Dutch print from the year of the Yorktown siege, the campaign where James Armistead's intelligence helped the American cause.

Black and white engraving of a satirical scene. On the left, two men in tricorn hats stand by a barrel labeled with text, a cow nearby. Center-right, a canopied stage with figures dancing and a flag reading 'YORK TOWN'. Bottom right, a kneeling man and a lion, with sheep and a dog in the foreground.
Anonymous, Dutch, 18th century, Yorktown, 1781. The Metropolitan Museum of Art.

About this source

What it is

This is an anonymous Dutch engraving from 1781, held today at The Metropolitan Museum of Art. It satirizes events connected to the siege of Yorktown.

Why it matters

Yorktown was the decisive siege of the American Revolutionary War, where intelligence gathered by James Armistead Lafayette helped the American and French forces trap the British army. European audiences, including the Dutch, followed the war closely and produced satirical prints like this one to comment on the campaign. The image reminds us that the Revolutionary War was watched and discussed across the Atlantic.

Look closer

  • What symbols or figures in this print suggest it is meant to be satirical rather than a straightforward record?
  • Why might a Dutch artist have been interested in events happening in Virginia?
  • What does the existence of this print tell you about how news of Yorktown spread in 1781?

This painting is part of the curated material that grounds the AI version of James Armistead Lafayette on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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