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Primary sourceSculpturec. 1353–1336 BCE

Relief of Nefertiti Smiting a Captive on the Royal Barge

Unknown Amarna-period sculptor · c. 1353–1336 BCE

A limestone relief from Amarna showing Nefertiti smiting a female captive, a pose of royal power usually reserved for kings.

This relief shows Nefertiti performing a kingly act of smiting an enemy, evidence of her unusual quasi-royal power.

Close-up of a carved limestone relief showing a royal figure with a sun disk above, raying down with rays ending in hands, beside an ornate cornice and a figure on a boat-like structure with a curved prow at right. Surface is weathered.
Relief of Nefertiti smiting a captive on the royal barge, from Hermopolis, c. 1353–1336 BCE. Museum of Fine Arts, Boston.

About this source

What it is

This limestone relief, carved by an unknown Amarna-period sculptor around 1353–1336 BCE, was found at Hermopolis and dates from the reign of Akhenaten. It shows Nefertiti performing the smiting of a captive on a royal barge, beneath the rays of the Aten. It is held by the Museum of Fine Arts, Boston.

Why it matters

Smiting enemies was a scene traditionally used to show a pharaoh's power. Showing Nefertiti in this pose is unusual evidence that she held authority close to that of a king during the Amarna period, supporting the idea that she had unusually high status for a queen.

Look closer

  • Why would an artist give a queen a pose usually used for kings?
  • What does this relief suggest about how the Amarna royal family wanted to present themselves?
  • What is left out of this violent scene that might change how we understand it?

This sculpture is part of the curated material that grounds the AI version of Queen Nefereti on Humy.ai — when students ask about related events, the AI can quote it and cite it.

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